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Gambhiri-River-Bridge

Chittaurgarh’s 700-year-old bridge

View of the medieval Gambhiri River Bridge from the eastern riverbank.

View of the medieval Gambhiri River Bridge from the eastern riverbank.

For at least a thousand years, people have been building large structures out of stone in northwestern India. The modern Indian state of Rajasthan is full of the remains of these monuments. Most of the monuments—fortresses, palaces, tombs, cenotaphs, and the like—have no real use anymore, except maybe as tourist attractions. There are plenty of pre-modern temples still in use, although many of them have been altered beyond recognition over centuries of use. And then there are some pieces of infrastructure that, with proper maintenance, still serve their original function hundreds of years after they were built.

One example is a bridge over the Gambhiri River in the town of Chittaurgarh in southern Rajasthan. The bridge is located on the main road into town. It is built entirely of stone, with nine slightly-pointed arches and one semicircular arch. (The river flows through eight of the arches, while the remaining two are on the shore. There are also two additional arches on each side of the bridge, but these are made in a different style and seem to have been added later.) The piers founded in the river have triangular projections on the upstream side, to help the river water, and any debris that might be floating in it, flow smoothly around the bridge.

The Rajasthan state Department of Archaeology and Museums has set up a Hindi interpretive plaque on the western side of the bridge. According to the plaque, the bridge was built early in the fourteenth century by Khijra Khan, after his father Alauddin Khilji captured Chittaurgarh in 1303. The bridge is built partly of stone blocks appropriated from other buildings. Inscriptions of Tej Singh and Samar Singh, two late-thirteenth-century rulers of Mewar, are still visible on the bridge. There are also some surviving architectural flourishes from the original structures, including designs of flowers and leaves. (None of this is visible to the casual observer from the shore, but I trust that the state archeologists know where to look.)

The Gambhiri River Bridge has been modified a little over the past seven hundred years. Although it was designed for horses and carts, it is strong enough to support motor vehicles. In modern times, a three-foot railing was added to the side of the bridge; when this proved inadequate for whatever reason, an eight-foot fence was also added. The bridge also carries several pipelines and some cables. Just downstream, a newer bridge has been built for eastbound traffic. The medieval bridge now just carries westbound traffic away from Chittaurgarh.

View of the Gambhiri bridge from the western bank.

View of the Gambhiri bridge from the western bank.

For readers who aren’t familiar with Chittaurgarh: The place is famous for the fortress by that name, a massive structure stretching five kilometers along the top of a ridge. The fortress was defensible, thanks to its position, but it was also a highly sought-after strategic prize, and it was captured and re-captured several times throughout its long history. Emperor Akbar won the fort for the Mughal Empire in a long and bloody siege in 1567-68. The fortress is now maintained by the Archaeological Survey of India, although it is so huge that inhabited villages exist within the walls alongside the historical monuments. Architectural highlights inside the fort include the Vijay Stambh (Tower of Victory, 1457-68), Kumbha Shyam Mandir (magnificent Nagara-style temple), Mira Bai Mandir, and Gaumukh Kund (rainwater storage tank).

Vijay Stambh (Tower of Victory), Chittaurgarh.

Vijay Stambh (Tower of Victory), Chittaurgarh.

Kumbha Shyam Mandir.

Kumbha Shyam Mandir.

Meera Mandir, where poet-saint Meera Bai worshiped Krishna.

Meera Mandir, where poet-saint Meera Bai worshiped Krishna.

Gaumukh Kund (Cow-mouth Well), Chittaurgarh.

Gaumukh Kund (Cow-mouth Well), Chittaurgarh.

Riding the meter-gauge rails

Broad-gauge (left) and meter-gauge (right) trains at Jaipur Junction.

Broad-gauge (left) and meter-gauge (right) trains at Jaipur Junction.

When private British capital first started building railroads in India in the mid-nineteenth century, the lines were built in broad gauge. With a spacing between the rails of 5 ft 6 in, this was, and still is, the widest rail gauge in common use anywhere in the world. The colonial Government of India started to build their own rail lines in the 1870s. These public-sector railways were more cheaply built than their private counterparts, and they were made in meter gauge (3 ft 3 3/8 in).

Even after independence and the nationalization of the private railways, broad-gauge and meter-gauge lines continued to be developed in parallel with each other. Only in the 1990s did the Indian Railways start to convert meter-gauge lines to broad gauge, under Project Unigauge. Since then, large stretches of meter-gauge lines have been replaced by broad gauge.

Meter-gauge lines survive here and there. One such line runs between Jaipur Junction and Sikar, 107 km (66 mi) to the northwest. Meter gauge used to run all of the way to Churu, another fifty miles to the north, but that stretch has recently been closed for conversion to broad gauge. (The time table posted in Jaipur Junction station still says Churu on it, although the name has been whited out and replaced with Sikar.) Someday the Jaipur–Sikar line will also become broad gauge. But in the meantime, seven meter-gauge trains will continue to run back and forth between Jaipur and Sikar every day.

Since meter gauge won’t be around forever, I felt obliged to ride the Jaipur–Sikar train when I had the chance. A month ago, I rode one of these trains from Jaipur as far as Chomun, one-third of the way to Sikar. The meter-gauge tracks at Jaipur Junction station are on the north side of the broad-gauge lines, so the tracks don’t have to cross each other. I found a place where both gauges run side-by-side, showing the difference in size.

Comparison of meter gauge (left) and broad gauge (right).

Comparison of meter gauge (left) and broad gauge (right).

The meter-gauge train was smaller and, I dare say, cuter than the broad-gauge trains I am used to seeing. Inside, the coach was just wide enough for a bench seating four or five adults.

Meter-gauge locomotive of 52083 Jaipur-Sikar MG Pass train.

Meter-gauge locomotive of 52083 Jaipur-Sikar MG Pass train.

Meter-gauge luggage car.

Meter-gauge luggage car.

Panorama of a compartment in a meter-gauge train.

Panorama of a compartment in a meter-gauge train.

I sat in the coach just behind the diesel-electric locomotive, because that one was farthest along the platform and nobody else was in it at first. When the train left Jaipur station, only two other men were in my compartment. At the first stop, Dher ka Balaji, the compartment filled up. The train passed by Jaipur’s sprawl for a while, then it reached the open countryside. After several station stops that I didn’t see the name of, the train pulled into Chomun station, a nice little colonial Public Works Department structure.

The single platform of Chomun Samod station.

The single platform of Chomun Samod station.

Glimpse of the facade of Chomun Samod station.

Glimpse of the facade of Chomun Samod station.

At Chomun, my meter-gauge technological tourism came to an end. I returned to Jaipur by city bus.

Having ridden on a meter-gauge train, I can now appreciate how much the Indian Railways have changed since the days when the narrower gauge was more prevalent. The train I rode to Chomun just didn’t have the capacity of the much larger broad-gauge trains I have ridden in India.

jaisamand-lake-pan

Jaisamand, Mewar’s superlative lake

View of the ornamented backside of Jaisamand Dam.

View of the ornamented backside of Jaisamand Dam.

In southern Rajasthan, thirty miles south of the city of Udaipur, twenty square miles of the Aravalli Mountains have been flooded by the remarkable Jaisamand Lake, formed by the 1500-ft Jaisamand Dam. Tourist guidebooks frequently erroneously refer to Jaisamand as the second-largest artificial lake in Asia. This is far from the truth; in India alone, a half-dozen artificial lakes are much larger than Jaisamand. What is remarkable about Jaisamand is the combination of its size and its age. The lake was built in 1685 on behalf of Maharana Jai Singh of Mewar. Jaisamand holds the undisputed distinction of being the largest extant pre-modern artificial lake in India.

Of the numerous Rajput kingdoms in medieval western India, Mewar was the last to submit to the Mughal Empire. In 1568, Mewar lost its capital Chittaurgarh to the army of Akbar after a long and bloody siege, but a royal remnant escaped to found a new capital at Udaipur. The Mughals tried to defeat Mewar again at the epic Battle of Haldighati in 1576, but Maharana Pratap Singh escaped with his life and his kingdom. (Alas, Pratap’s horse Chetak succumbed to his injuries during the battle, but he has since become a local hero in his own right.) Finally, in 1615, after a series of battles, Maharana Amar Singh was forced to accede to the Mughal Empire. This was more than fifty years after Amber became the first Rajput state to join the empire.

After getting dragged into the Mughal Empire, Mewar could redirect some of its resources from militarization to infrastructural development. Jaisamand Lake was one of the public works projects undertaken in the post-accession period. The lake stored water from the Gomti River, for use in irrigation. It also provided a setting for palaces and royal hunting reserves.

Jaisamand Lake has changed a little since the late seventeenth century. The original dam was refurbished around 1960. During the refurbishment, the historic front face of the dam was covered by a characterless concrete facade. The crest and backside of the dam, though, retain their historical appearance. A series of white marble steps lead down to the water. There are six stone chhatris (domed pavilions), six carved marble elephants, and a temple, Shri Narbdeshwar Mahadev Jaisamand. Despite some graffiti on the elephants, and the usual litter, Jaisamand Dam remains a place of historical importance and real beauty.

The steps on the backside of Jaisamand Dam.

The steps on the backside of Jaisamand Dam.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

Jaisamand is accessible from Udaipur by Banswara-bound bus from the main government bus terminal near Udaipol. The dam and the lake are just up the hill from Jaisamand town, where the bus stops. Boat rides are available from the dam, at Rs 600 per boat for a half-hour or Rs 1200 for the full hour. On a hill just above the dam, a ruined palace stands on forest department land. Visitors can get permission to climb up to the palace from the forest department office, with payment of a fee. I thought the rate for foreigners of Rs 300 was ridiculously steep – even without the additional Rs 900 camera fee – so I opted out of that experience.

For further coverage of India’s pre-modern artificial lakes, please see my posts “Pietro della Valle’s long pilgrimage,” “Goodly Lakes,” and “Another Goodly Lake.

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