WillyLogan.com

Technology, History, and Travel

Tag: Mughal Empire (Page 1 of 2)

2960-city-palace-crown_1600px

A Not-so-great Great Man History of Jaipur

Jadunath Sarkar and Raghubir Sinh (ed.), A History of Jaipur, c. 1503-1938 (1984; repr. Hyderabad: Orient Blackswan, 2009).


In the 1930s, the Maharaja of Jaipur State, Sawai Man Singh II, commissioned well-known Indian historian Jadunath Sarkar to write an official history of his state and his own ruling family, the Kacchawaha Rajputs. In undertaking this commission, Sarkar had access to the official records of Jaipur State, which had never been used by historians before. By 1940, Sarkar had finished his manuscript, but because of opposition by the nobles of Jaipur State (who generally come across negatively in the narrative), publication of the book had to be shelved indefinitely. It was not until more than forty years later, in 1984, that Sarkar’s book finally saw the light of day. By this time, the author and the commissioning Maharaja had both passed away. Sovereign Jaipur State also was no more; now it was just a district in the state of Rajasthan. Sarkar’s History of Jaipur was eventually published in a very different world than the one in which it was written.

I had been hearing about A History of Jaipur for a while when I finally got my hands on a copy recently and excitedly started reading it. My excitement did not last long, though. After the first few chapters, I had gotten thoroughly bored, and it ultimately took me more than a month to slog through the book. Had I known a little more about the context of the book and the background of its author, I would have been better prepared for the disappointment.

The most disappointing aspect of the book was that the title did not accurately reflect the contents. It isn’t A History of Jaipur; it is actually A History of the Rulers of Jaipur. Most of the book is just a dynastic history of the Kacchawaha house, from the early sixteenth century to Man Singh II. The narrative follows the Raja wherever he goes. In the sixteenth and seventeenth centuries, Man Singh I, Mirza Raja Jai Singh I, and Ram Singh I served as generals in the Mughal army, often spending years away from their capitals at a stretch. Sarkar wrote in tiresome detail about all these campaigns, completely ignoring whatever might have been happening on the home front at this time. I would love to know about economic and cultural life in the Kacchawaha kingdom, but Sarkar had nothing to say about these topics.

It isn’t really surprising that Sarkar wrote a Great Man history of the Kacchawaha house, since he was commissioned to write his history by the ruler of that clan. Surely Sawai Man Singh II wanted to be portrayed as a Great Man from a long line of Great Men.

Jadunath Sarkar was best known for writing about the reign of the Mughal emperor Aurangzeb (r. 1658-1707, contemporary with Jai Singh I and Ram Singh I). His magnum opus was the five-volume History of Aurangzeb (1912-24), which I now have absolutely no desire to read. As Mohammad Shah points out, Sarkar thought that (Islamic) Mughal rule in India had been oppressive, and British rule was an improvement.1 Aurangzeb comes across in Sarkar’s histories as a temple-smashing religious fanatic, emblematic of the broadly oppressive policies of the Mughal Empire.

In writing the official history of Jaipur State, Sarkar had to change his tack. The reason is that the Kacchawaha house was the first Rajput kingdom to join the Mughal Empire, when the daughter of Raja Bharmal of Amber married Mughal Emperor Akbar in 1562. Condemning the Mughal Empire would, in effect, condemn the Kacchawaha house, because they had willingly joined the empire through a marriage-alliance. Instead, Sarkar restricted his criticism to certain aspects of Mughal policy. Aurangzeb comes across badly in A History of Jaipur as well, but mainly because of his supposed mistreatment of Jai Singh I and Ram Singh I.

In contrast with Mughal rule, British rule in India was, in Sarkar’s eyes, a great blessing. As a princely state, Jaipur was technically sovereign. A treaty signed in 1818 surrendered responsibilities of defense and foreign relations to the British, but the Maharaja of Jaipur could theoretically do whatever he wanted within the confines of his own kingdom. In reality, the British meddled in the affairs of the princely states, posting residents in the capitals and arbitrating in succession disputes. It was in the best interests of the princes to maintain good relations with the Paramount Power (as the British rulers styled themselves). When the Indian Mutiny broke out in 1857, the princes stayed on the side of the British, providing essential support for the suppression of the rebellion.

The glowingly positive terms in which Sarkar describes the British read almost comically nowadays. Take, for instance, this statement about the modernizer Ram Singh II:

The dawn of the modern age in Jaipur was due to the initiative and fostering care of a number of British officers of exceptional ability and generous sympathy, and it was the good fortune of Maharajah Ram Singh II to have been trained by them at the formative stage of his life and to carry to full maturity the reforms for which they had done the spadework.2

Or this one, about Madho Singh II’s visit to England to attend the coronation of Edward VII:

The unifying force of such an Empire [the British Empire] rises above caste, creed, and locality.3

If nothing else, A History of Jaipur is a reminder that the way we interpret history can change drastically over time. No Indian alive today would prefer the British Raj over independence. This attitude can too easily be imposed onto the past, so that all Indians at all times seem to have desired independence. But many members of the privileged classes in India—including Sawai Man Singh II and Jadunath Sarkar himself—benefited from British rule. A History of Jaipur is a relic of a period that most Indians now are willing to forget.

  1. Mohammad Shah, “Jadunath Sarkar’s interpretation of Aurangzeb’s reign,” Journal of the Asiatic Society of Bangladesh 28 (Dec. 1983): 133-41. []
  2. Sarkar, A History of Jaipur, 325-36. []
  3. Ibid., 355. []
Gambhiri-River-Bridge

Chittaurgarh’s 700-year-old bridge

View of the medieval Gambhiri River Bridge from the eastern riverbank.

View of the medieval Gambhiri River Bridge from the eastern riverbank.

For at least a thousand years, people have been building large structures out of stone in northwestern India. The modern Indian state of Rajasthan is full of the remains of these monuments. Most of the monuments—fortresses, palaces, tombs, cenotaphs, and the like—have no real use anymore, except maybe as tourist attractions. There are plenty of pre-modern temples still in use, although many of them have been altered beyond recognition over centuries of use. And then there are some pieces of infrastructure that, with proper maintenance, still serve their original function hundreds of years after they were built.

One example is a bridge over the Gambhiri River in the town of Chittaurgarh in southern Rajasthan. The bridge is located on the main road into town. It is built entirely of stone, with nine slightly-pointed arches and one semicircular arch. (The river flows through eight of the arches, while the remaining two are on the shore. There are also two additional arches on each side of the bridge, but these are made in a different style and seem to have been added later.) The piers founded in the river have triangular projections on the upstream side, to help the river water, and any debris that might be floating in it, flow smoothly around the bridge.

The Rajasthan state Department of Archaeology and Museums has set up a Hindi interpretive plaque on the western side of the bridge. According to the plaque, the bridge was built early in the fourteenth century by Khijra Khan, after his father Alauddin Khilji captured Chittaurgarh in 1303. The bridge is built partly of stone blocks appropriated from other buildings. Inscriptions of Tej Singh and Samar Singh, two late-thirteenth-century rulers of Mewar, are still visible on the bridge. There are also some surviving architectural flourishes from the original structures, including designs of flowers and leaves. (None of this is visible to the casual observer from the shore, but I trust that the state archeologists know where to look.)

The Gambhiri River Bridge has been modified a little over the past seven hundred years. Although it was designed for horses and carts, it is strong enough to support motor vehicles. In modern times, a three-foot railing was added to the side of the bridge; when this proved inadequate for whatever reason, an eight-foot fence was also added. The bridge also carries several pipelines and some cables. Just downstream, a newer bridge has been built for eastbound traffic. The medieval bridge now just carries westbound traffic away from Chittaurgarh.

View of the Gambhiri bridge from the western bank.

View of the Gambhiri bridge from the western bank.

For readers who aren’t familiar with Chittaurgarh: The place is famous for the fortress by that name, a massive structure stretching five kilometers along the top of a ridge. The fortress was defensible, thanks to its position, but it was also a highly sought-after strategic prize, and it was captured and re-captured several times throughout its long history. Emperor Akbar won the fort for the Mughal Empire in a long and bloody siege in 1567-68. The fortress is now maintained by the Archaeological Survey of India, although it is so huge that inhabited villages exist within the walls alongside the historical monuments. Architectural highlights inside the fort include the Vijay Stambh (Tower of Victory, 1457-68), Kumbha Shyam Mandir (magnificent Nagara-style temple), Mira Bai Mandir, and Gaumukh Kund (rainwater storage tank).

Vijay Stambh (Tower of Victory), Chittaurgarh.

Vijay Stambh (Tower of Victory), Chittaurgarh.

Kumbha Shyam Mandir.

Kumbha Shyam Mandir.

Meera Mandir, where poet-saint Meera Bai worshiped Krishna.

Meera Mandir, where poet-saint Meera Bai worshiped Krishna.

Gaumukh Kund (Cow-mouth Well), Chittaurgarh.

Gaumukh Kund (Cow-mouth Well), Chittaurgarh.

jaisamand-lake-pan

Jaisamand, Mewar’s superlative lake

View of the ornamented backside of Jaisamand Dam.

View of the ornamented backside of Jaisamand Dam.

In southern Rajasthan, thirty miles south of the city of Udaipur, twenty square miles of the Aravalli Mountains have been flooded by the remarkable Jaisamand Lake, formed by the 1500-ft Jaisamand Dam. Tourist guidebooks frequently erroneously refer to Jaisamand as the second-largest artificial lake in Asia. This is far from the truth; in India alone, a half-dozen artificial lakes are much larger than Jaisamand. What is remarkable about Jaisamand is the combination of its size and its age. The lake was built in 1685 on behalf of Maharana Jai Singh of Mewar. Jaisamand holds the undisputed distinction of being the largest extant pre-modern artificial lake in India.

Of the numerous Rajput kingdoms in medieval western India, Mewar was the last to submit to the Mughal Empire. In 1568, Mewar lost its capital Chittaurgarh to the army of Akbar after a long and bloody siege, but a royal remnant escaped to found a new capital at Udaipur. The Mughals tried to defeat Mewar again at the epic Battle of Haldighati in 1576, but Maharana Pratap Singh escaped with his life and his kingdom. (Alas, Pratap’s horse Chetak succumbed to his injuries during the battle, but he has since become a local hero in his own right.) Finally, in 1615, after a series of battles, Maharana Amar Singh was forced to accede to the Mughal Empire. This was more than fifty years after Amber became the first Rajput state to join the empire.

After getting dragged into the Mughal Empire, Mewar could redirect some of its resources from militarization to infrastructural development. Jaisamand Lake was one of the public works projects undertaken in the post-accession period. The lake stored water from the Gomti River, for use in irrigation. It also provided a setting for palaces and royal hunting reserves.

Jaisamand Lake has changed a little since the late seventeenth century. The original dam was refurbished around 1960. During the refurbishment, the historic front face of the dam was covered by a characterless concrete facade. The crest and backside of the dam, though, retain their historical appearance. A series of white marble steps lead down to the water. There are six stone chhatris (domed pavilions), six carved marble elephants, and a temple, Shri Narbdeshwar Mahadev Jaisamand. Despite some graffiti on the elephants, and the usual litter, Jaisamand Dam remains a place of historical importance and real beauty.

The steps on the backside of Jaisamand Dam.

The steps on the backside of Jaisamand Dam.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

One of the chhatris on Jaisamand Dam. The white mark underneath the chhatri indicates the level reached by a flood in 1973.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

Pigeons fly over Shri Narbdeshwar Mahadev Jaisamand Temple, located front and center on Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

The characterless concrete face of the refurbished Jaisamand Dam.

Jaisamand is accessible from Udaipur by Banswara-bound bus from the main government bus terminal near Udaipol. The dam and the lake are just up the hill from Jaisamand town, where the bus stops. Boat rides are available from the dam, at Rs 600 per boat for a half-hour or Rs 1200 for the full hour. On a hill just above the dam, a ruined palace stands on forest department land. Visitors can get permission to climb up to the palace from the forest department office, with payment of a fee. I thought the rate for foreigners of Rs 300 was ridiculously steep – even without the additional Rs 900 camera fee – so I opted out of that experience.

For further coverage of India’s pre-modern artificial lakes, please see my posts “Pietro della Valle’s long pilgrimage,” “Goodly Lakes,” and “Another Goodly Lake.

Page 1 of 2

Powered by WordPress & Theme by Anders Norén