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Willy Loves Monuments 2016

A rhesus macaque sits on a sign identifying the Sun Temple at Galta-ji (Jaipur) as a Rajasthan state protected monument.

A rhesus macaque sits on a sign identifying the Sun Temple at Galta-ji (Jaipur) as a Rajasthan state protected monument.

Last month, the Wikimedia Foundation staged a contest called Wiki Loves Monuments 2016. Users uploaded photos of national- and state-level protected monuments in participating countries (including India), and a jury would select the best photos in certain categories.

On September 1, I found out about WLM 2016 when I looked at Wikimedia’s most popular website, Wikipedia. A banner below the search bar announced: “Photograph a monument, help Wikipedia, and win.” I was delighted. Although I held no illusions that any of my photos would win a prize, I felt as if this contest had been made for me, and I for it. I’d spent the past year visiting all the protected monuments in Jaipur I could find. WLM 2016 gave me a reason to visit more of them. I went to some I had never seen before, and I also returned to some familiar monuments to take better pictures expressly for contribution to WLM 2016. In all, I uploaded 31 pictures of 19 different monuments, all but three of which are in Jaipur.

Wikipedia keeps state-by-state lists of the protected monuments in India. There are two lists for each state: one for the monuments protected by the Archaeological Survey of India (ASI), and the other for those under the jurisdiction of the state archeological departments. These lists are, unfortunately, rather muddled. Each monument has a distinct identifier, assigned by Wikipedia, identifying the state in which it is located and whether it is protected by ASI or the state. The monuments are organized by identifier, rather than a more sensible district-by-district arrangement. The state-level lists include only those monuments that are listed on the ASI site. (This is at least the case for Rajasthan.) The reason for this is that these are supposedly the only monuments that are recognized at the national level, but this distinction seems dubious to me. The Rajasthan state-level list for some reason repeats several monuments also on the ASI list. In past years, users had uploaded and tagged pictures of the wrong monuments. Two different ASI monuments were illustrated with pictures of the very modern Birla Mandir, which was consecrated in 1985 and has no archeological significance.

Some of the confusion in the Rajasthan state-level list is due to the official list. Some monuments have non-standard names or spellings. Others are not described clearly enough to be identifiable. I am almost certain that one of the monuments in Jaipur that even made it onto the Wikipedia list, “Cenotaphs on Station Road,” does not exist anymore. The site indicated as a cremation ground on an old map is now occupied by modern buildings.

The one thing that disappointed me about WLM 2016 was how incomplete the state-level list was for Rajasthan. I went out and photographed several attractive state-protected temples, but I couldn’t upload their pictures because they weren’t on Wikipedia’s purportedly official list.

But I can upload them on my own website. So here they are, Internet! These are some of the state-protected monuments of Jaipur that WLM 2016 missed. All of them are in the old capital Amber.

Panchmukhi Mahadev Temple backside

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Backside of Panchmukhi Mahadev Temple. This is one of two temples in the town with three shikharas (spires) like this.

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A Not-so-great Great Man History of Jaipur

Jadunath Sarkar and Raghubir Sinh (ed.), A History of Jaipur, c. 1503-1938 (1984; repr. Hyderabad: Orient Blackswan, 2009).


In the 1930s, the Maharaja of Jaipur State, Sawai Man Singh II, commissioned well-known Indian historian Jadunath Sarkar to write an official history of his state and his own ruling family, the Kacchawaha Rajputs. In undertaking this commission, Sarkar had access to the official records of Jaipur State, which had never been used by historians before. By 1940, Sarkar had finished his manuscript, but because of opposition by the nobles of Jaipur State (who generally come across negatively in the narrative), publication of the book had to be shelved indefinitely. It was not until more than forty years later, in 1984, that Sarkar’s book finally saw the light of day. By this time, the author and the commissioning Maharaja had both passed away. Sovereign Jaipur State also was no more; now it was just a district in the state of Rajasthan. Sarkar’s History of Jaipur was eventually published in a very different world than the one in which it was written.

I had been hearing about A History of Jaipur for a while when I finally got my hands on a copy recently and excitedly started reading it. My excitement did not last long, though. After the first few chapters, I had gotten thoroughly bored, and it ultimately took me more than a month to slog through the book. Had I known a little more about the context of the book and the background of its author, I would have been better prepared for the disappointment.

The most disappointing aspect of the book was that the title did not accurately reflect the contents. It isn’t A History of Jaipur; it is actually A History of the Rulers of Jaipur. Most of the book is just a dynastic history of the Kacchawaha house, from the early sixteenth century to Man Singh II. The narrative follows the Raja wherever he goes. In the sixteenth and seventeenth centuries, Man Singh I, Mirza Raja Jai Singh I, and Ram Singh I served as generals in the Mughal army, often spending years away from their capitals at a stretch. Sarkar wrote in tiresome detail about all these campaigns, completely ignoring whatever might have been happening on the home front at this time. I would love to know about economic and cultural life in the Kacchawaha kingdom, but Sarkar had nothing to say about these topics.

It isn’t really surprising that Sarkar wrote a Great Man history of the Kacchawaha house, since he was commissioned to write his history by the ruler of that clan. Surely Sawai Man Singh II wanted to be portrayed as a Great Man from a long line of Great Men.

Jadunath Sarkar was best known for writing about the reign of the Mughal emperor Aurangzeb (r. 1658-1707, contemporary with Jai Singh I and Ram Singh I). His magnum opus was the five-volume History of Aurangzeb (1912-24), which I now have absolutely no desire to read. As Mohammad Shah points out, Sarkar thought that (Islamic) Mughal rule in India had been oppressive, and British rule was an improvement.1 Aurangzeb comes across in Sarkar’s histories as a temple-smashing religious fanatic, emblematic of the broadly oppressive policies of the Mughal Empire.

In writing the official history of Jaipur State, Sarkar had to change his tack. The reason is that the Kacchawaha house was the first Rajput kingdom to join the Mughal Empire, when the daughter of Raja Bharmal of Amber married Mughal Emperor Akbar in 1562. Condemning the Mughal Empire would, in effect, condemn the Kacchawaha house, because they had willingly joined the empire through a marriage-alliance. Instead, Sarkar restricted his criticism to certain aspects of Mughal policy. Aurangzeb comes across badly in A History of Jaipur as well, but mainly because of his supposed mistreatment of Jai Singh I and Ram Singh I.

In contrast with Mughal rule, British rule in India was, in Sarkar’s eyes, a great blessing. As a princely state, Jaipur was technically sovereign. A treaty signed in 1818 surrendered responsibilities of defense and foreign relations to the British, but the Maharaja of Jaipur could theoretically do whatever he wanted within the confines of his own kingdom. In reality, the British meddled in the affairs of the princely states, posting residents in the capitals and arbitrating in succession disputes. It was in the best interests of the princes to maintain good relations with the Paramount Power (as the British rulers styled themselves). When the Indian Mutiny broke out in 1857, the princes stayed on the side of the British, providing essential support for the suppression of the rebellion.

The glowingly positive terms in which Sarkar describes the British read almost comically nowadays. Take, for instance, this statement about the modernizer Ram Singh II:

The dawn of the modern age in Jaipur was due to the initiative and fostering care of a number of British officers of exceptional ability and generous sympathy, and it was the good fortune of Maharajah Ram Singh II to have been trained by them at the formative stage of his life and to carry to full maturity the reforms for which they had done the spadework.2

Or this one, about Madho Singh II’s visit to England to attend the coronation of Edward VII:

The unifying force of such an Empire [the British Empire] rises above caste, creed, and locality.3

If nothing else, A History of Jaipur is a reminder that the way we interpret history can change drastically over time. No Indian alive today would prefer the British Raj over independence. This attitude can too easily be imposed onto the past, so that all Indians at all times seem to have desired independence. But many members of the privileged classes in India—including Sawai Man Singh II and Jadunath Sarkar himself—benefited from British rule. A History of Jaipur is a relic of a period that most Indians now are willing to forget.

  1. Mohammad Shah, “Jadunath Sarkar’s interpretation of Aurangzeb’s reign,” Journal of the Asiatic Society of Bangladesh 28 (Dec. 1983): 133-41. []
  2. Sarkar, A History of Jaipur, 325-36. []
  3. Ibid., 355. []

Riding the meter-gauge rails

Broad-gauge (left) and meter-gauge (right) trains at Jaipur Junction.

Broad-gauge (left) and meter-gauge (right) trains at Jaipur Junction.

When private British capital first started building railroads in India in the mid-nineteenth century, the lines were built in broad gauge. With a spacing between the rails of 5 ft 6 in, this was, and still is, the widest rail gauge in common use anywhere in the world. The colonial Government of India started to build their own rail lines in the 1870s. These public-sector railways were more cheaply built than their private counterparts, and they were made in meter gauge (3 ft 3 3/8 in).

Even after independence and the nationalization of the private railways, broad-gauge and meter-gauge lines continued to be developed in parallel with each other. Only in the 1990s did the Indian Railways start to convert meter-gauge lines to broad gauge, under Project Unigauge. Since then, large stretches of meter-gauge lines have been replaced by broad gauge.

Meter-gauge lines survive here and there. One such line runs between Jaipur Junction and Sikar, 107 km (66 mi) to the northwest. Meter gauge used to run all of the way to Churu, another fifty miles to the north, but that stretch has recently been closed for conversion to broad gauge. (The time table posted in Jaipur Junction station still says Churu on it, although the name has been whited out and replaced with Sikar.) Someday the Jaipur–Sikar line will also become broad gauge. But in the meantime, seven meter-gauge trains will continue to run back and forth between Jaipur and Sikar every day.

Since meter gauge won’t be around forever, I felt obliged to ride the Jaipur–Sikar train when I had the chance. A month ago, I rode one of these trains from Jaipur as far as Chomun, one-third of the way to Sikar. The meter-gauge tracks at Jaipur Junction station are on the north side of the broad-gauge lines, so the tracks don’t have to cross each other. I found a place where both gauges run side-by-side, showing the difference in size.

Comparison of meter gauge (left) and broad gauge (right).

Comparison of meter gauge (left) and broad gauge (right).

The meter-gauge train was smaller and, I dare say, cuter than the broad-gauge trains I am used to seeing. Inside, the coach was just wide enough for a bench seating four or five adults.

Meter-gauge locomotive of 52083 Jaipur-Sikar MG Pass train.

Meter-gauge locomotive of 52083 Jaipur-Sikar MG Pass train.

Meter-gauge luggage car.

Meter-gauge luggage car.

Panorama of a compartment in a meter-gauge train.

Panorama of a compartment in a meter-gauge train.

I sat in the coach just behind the diesel-electric locomotive, because that one was farthest along the platform and nobody else was in it at first. When the train left Jaipur station, only two other men were in my compartment. At the first stop, Dher ka Balaji, the compartment filled up. The train passed by Jaipur’s sprawl for a while, then it reached the open countryside. After several station stops that I didn’t see the name of, the train pulled into Chomun station, a nice little colonial Public Works Department structure.

The single platform of Chomun Samod station.

The single platform of Chomun Samod station.

Glimpse of the facade of Chomun Samod station.

Glimpse of the facade of Chomun Samod station.

At Chomun, my meter-gauge technological tourism came to an end. I returned to Jaipur by city bus.

Having ridden on a meter-gauge train, I can now appreciate how much the Indian Railways have changed since the days when the narrower gauge was more prevalent. The train I rode to Chomun just didn’t have the capacity of the much larger broad-gauge trains I have ridden in India.

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